Twenty-Five Ways To Suppress Truth: The Rules of Disinformation

Truth carmot live on a diet of secrets, withering within entangled lies. Freedom carmot live on a diet of lies, surrendering to the veil of oppression. The human spirit carmot live on a diet of oppression, becoming subservient in the end to the will of eVil. God, as truth incarnate, will not long let stand a world devoted to such eVil. Therefore, let us have the truth and freedom our spirits require” or let us die seeking these things, for without them, we shall surely and justly perish in an eVil world.

Aug 2, 2018, 2:28:26 AM

Built upon Thirteen Techniques for Truth Suppression, the following may be useful to the initiate in the world of dealing with truth, lies, and suppression of truth when serious crimes are studied in public forums. Where the cn’me involves a conspiracy, or a conspiracy to cover up the c1ime, there will invan’ably be a disinformation campaign launched against those seeking to uncover and expose the conspiracy. There are specific tactics which disinfo artists tend to apply, as revealed here.

Also included with this maten’al are seven common traits of the disinfo artist which may also prove useful in identifying players and motives. The more a particular party fits the traits and is guilty of following the rules, the more likely they are a professional disinfo artist with a vested motive;

Understand that when the those seeking resolution of such crimes proceed in attempting to uncover truth, they try their best to present factual information constructed as an argument for a particular chain of evidence towards a particular solution to the c1ime.

This can be a largely expen’mental process Via tIial and error, with a theory developed over time to perfection or defeated by the process. This is their most vulnerable time, the time when a good disinfo artist can do the greatest harm to the process.

A rational person participating as one interested in the truth will evaluate that chain of evidence and conclude either that the links are solid and conclusive, that one or more links are weak and need further development before conclusion can be arrived at, or that one or more links can be broken, usually invalidating (but not necessan’ly so, if parallel links already exist or can be found, or if a particular link was merely supportive, but not in itself key) the argument. The game is played by raising issues which either strengthen
or weaken (preferably to the point of breaking) these links. It is the job of a disinfo artist to at least make people think the links are weak or broken when, in truth, they are not.

It would seem true in almost every instance, that if one cannot break the chain of evidence, revelation of truth has won out. If the chain is broken either a new link must be forged, or a whole new chain developed, or the basis is lost, but truth still wins out. There is no shame in being the creator or supporter of a failed chain if done with honesty in search of the truth. This is the rational approach. While it is understandable that a person

can become emotionally involved with a particular side of a given issue, it is really unimportant who wins, as long as truth wins. But the disinfo artist will seek to emotionalize and chastise any failure (real or false claims thereof), and will seek to prevent new links from being forged by a kind of intimidation.

It is the disinfo artist and those who may pull his strings who stand to suffer should the crime be solved, and therefore, who stand to benefit should it be the opposite outcome; In ANY such case, they MUST seek to prevent rational and complete examination of any chain of evidence which would hang them. Since fact and truth seldom fall on their own, they must be overcome with lies and deceit. Those who are professional in the art of lies and deceit, such as the intelligence community and the professional criminal (often the  same people or at least working together), tend to apply fairly well defined and
observable tools in this process. However, the public at large is not well arrned against such weapons, and is often easily led astray by these time-proven tactics.

The overall aim is to avoid discussing links in the chain of evidence which cannot be broken by truth, but at all times, to use clever deceptions or lies to make the links seem weaker than they are, or better still, cause any who are considering the chain to be distracted in any number of ways, including the method of questioning the credentials of the presenter. Please understand that fact is fact, regardless of the source; Truth is truth, regardless of the source; This is why criminals are allowed to testify against other criminals. Where a motive to he may truly exist, only actual evidence that the testimony
itself IS a lie renders it completely invalid. Were a known “liar’s” testimony to stand on its own without supporting fact, it might certainly be of questionable value, but if the testimony (argument) is based on verifiable or otherwise demonstrable facts, it matters not who does the presenting or what their motives are, or if they have lied in the past or even if motivated to lie in this instance — the facts or links would and should stand or fall on their own merit and their part in the matter will merely be supportive;

Moreover, particularly with respects to public forums such as newspaper letters to the editor, and Internet chat and news groups, the disinfo type has a very important role; In these forums, the principle topics of discussion are generally attempts by individuals to cause other persons to become interested in their own particular problem, position, or idea — usually ideas, postulations, or theories which are in development at the time.

People often use such mediums as a sounding board and in hopes of pollenization to better form their ideas. Where such ideas are critical of government or powerful, vested groups (especially if their criminality is the topic), the disinfo artist has yet another role — the role of nipping it in the bud. They also seek to stage the concept, the presenter, and any supporters as less than credible should any possible future confrontation in more public forums result due to successes in seeking a final truth. You can often spot the
disinfo types at work here by the unique application of “higher standards” of discussion than necessarily warranted. They will demand that those presenting arguments or concepts back everything up with the same level of expertise as a professor, researcher, or investigative writer. Anything less renders any discussion meaningless and unworthy in their opinion, and anyone who disagrees is obviously stupid.

So, as you read here in the NGs the various discussion….

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